[Kike-Run] BBC, 2012.07.30, on The Kike's Parasitie-Culture:

Palestinians attack Mitt Romney for 'racist' comments

Mitt Romney has been accused of racism for suggesting to Jewish donors that "culture" might explain Palestinians' income inferiority to Israel [KIKESTAN-IN-PALESTINE].

A senior Palestinian aide said the Republican presidential candidate had failed to note economic restrictions placed by the Israeli occupation.

But the Romney campaign said his remarks in Israel were misinterpreted.

The former Massachusetts governor is now in Poland, for the third and final leg of a week-long foreign tour.

Mr Romney is set to face Barack Obama in November's presidential election.

'Hand of providence'

Speaking at a breakfast of about 40 donors in Jerusalem on Monday, Mr Romney said he had thought about how Israel [KIKESTAN-IN-PALESTINE] had achieved greater prosperity than its neighbours.

"As you come here and you see the GDP [Gross Domestic Product] per capita, for instance, in Israel [KIKESTAN-IN-PALESTINE] which is about $21,000 dollars, and compare that with the GDP per capita just across the areas managed by the Palestinian Authority, which is more like $10,000 per capita, you notice such a dramatically stark difference in economic vitality," Mr Romney is reported to have said.

He referred to a book called The Wealth And Poverty Of Nations, by [KIKE] David Landes, which examines how some societies became more prosperous than those of their neighbours [without factoring in parasitism, which is best typified by Kikes].

Mr Romney said he had concluded from the [KIKE] book that "if you could learn anything from the economic history of the world it's this: culture makes all the difference."

He added: "And as I come here and I look out over this city and consider the accomplishments of the people of this nation, I recognise the power of at least culture and a few other things [such as The Kike leeching off of U.S. taxpayers]."

Mr Romney also said he recognised "hand of providence in selecting this place [Israel [KIKESTAN-IN-PALESTINE]].

The economic disparity between Israel [KIKESTAN-IN-PALESTINE] and the Palestinian Authority is even wider than Mr Romney's remarks suggest.

According to a [KIKE] World Bank report, in 2011 Israel[KIKESTAN-IN-PALESTINE]'s GDP was $31,000 per head, compared with just over $1,500 in the West Bank and Gaza.

'Scratching their heads'

Saeb Erekat, an aide to Palestinian Authority President Mahmoud Abbas [a couple of tools], responded quickly to the comments.

"It is a racist [a KIKE-term] statement and this man doesn't realise that the Palestinian economy cannot reach its potential because there is an Israeli [A KIKE] occupation," Mr Erekat said.

"It seems to me this man lacks information, knowledge, vision and understanding of this region and its people.

"He also lacks knowledge about the Israelis [KIKESTANIS] themselves. I have not heard any Israeli [KIKESTANI] official speak about cultural superiority," he added.

Romney campaign spokeswoman [KIKE] Andrea Saul said his remarks had been "grossly mischaracterised".

His campaign added that the candidate's comments had been more general and had included examples of income disparities between the US and Mexico, and Chile and Ecuador.

Meanwhile, a White House spokesman said Mr Romney's comments had left some people "scratching their heads a little bit".

At the breakfast, Mr Romney sat next to casino [= parasite racket] billionaire [KIKE] Sheldon Adelson, who has given millions of dollars to Republican presidential campaigns.

The owner of the American football team New York Jets, [CFR MEMBER] Woody Johnson ["NY Jets’ Owner Woody Johnson to the NFL: Scheduling Affects Jewish Holidays ... He...complained about NFL scheduling affecting two consecutive Jewish holidays...Rosh Hashanah...Yom Kippur..."], and hedge fund manager [KIKE] Paul Singer were also guests at the breakfast, which is thought to have raised about $1m [from KIKES for a U.S. puppet-presidential candidate].

Deputy Israeli [KIKESTANI] Foreign Minister Danny Ayalon came to Mr Romney's defence.

"It is unfortunate that the Palestinians find every reason and opportunity to discomfit or to criticise or to attack Israel or anyone who pays respect to Israel [KIKESTAN-IN-PALESTINE] and Jewish [KIKE] culture," he said, reports the [KIKE] Associated Press.

On Sunday, Mr Romney caused controversy when he [violated official U.S. protocol, and] described Jerusalem as the [parasitic] country's capital.

He said in an interview with CNN that he would favour moving the US embassy to Jerusalem from Tel Aviv, where it is currently located.

The status of Jerusalem is a key issue in [pointless] peace negotiations between the Israelis [KIKESTANIS] and the Palestinians.

Mr Romney's visit to Israel [KIKESTAN-IN-PALESTINE] followed a three-day visit to London. There, he was criticised in the British press for expressing doubt about whether Britain was ready to stage the Olympic Games.





[KIKE] Guggenheim > Education > Schools & Educators > Teacher Resources > Arts Curriculum Online

Chaos and Classicism

The Dark Side of Classicism

Hitler, the German dictator who in his youth had aspired to be an artist, favored classicism and disdained experimental styles. “He considered the ancient Greeks to be ‘Nordics,’ ancestors of the Germans. ‘It is therefore no surprise,’ he declared in one of his first speeches as chancellor, in September 1933, ‘that each politically historical epoch searches in its art for the link with a period of [an] equally heroic past. Greeks and Romans suddenly stand close to Teutons.’” Art’s function, he said in 1935, was to be the model for racially pure humans— “to create images which represent God’s creatures, not miscarriages between man and monkey.”

After assuming power, the Nazis moved quickly to “perfect,” in their words, German culture. In November 1936, they banned all art criticism, and in 1937 confiscated virtually all modernist works in German museums—nearly 5,000 works in the first seizure—and presented 650 of them in the Entartete Kunst (Degenerate Art, 1937) show to demonstrate the perverted nature of modern art. The exhibition traveled throughout Germany and Austria, attracting more than two million visitors, and featured many artists who are now considered masters of 20th-century art, including Marc Chagall (1887–1985), Max Ernst (1879–1976), Vasily Kandinsky (1866–1944), and Paul Klee (1879–1940), among others.

The Nazis also planned to demonstrate its efforts at remaking the National Socialist body in the 1936 Berlin Olympics. “Although African American track star Jesse Owens [1913–1980] won four gold medals (rendering Hitler’s claims of Aryan superiority somewhat shaky), the German team overwhelmingly dominated, winning 89 medals.” With a stadium and pageantry that mimicked the ancient Greeks, the games provided an opportunity for the Nazi Reich to associate itself with classical antiquity.

Hitler set about creating a genetically specific classicism. “‘The new age of today is at work on a new human type,’ he told his countrymen less than a year after the Olympics had finished. ‘Tremendous efforts are being made in countless spheres of life in order to elevate our people, to make our men, boys, lads, girls, and women healthier and thereby stronger and more beautiful. . . . Never was Mankind closer than now to Antiquity in its appearance and its sensibilities.’”

The official poster for the 1936 Olympic Games in Berlin was chosen through a competition. Franz Wu?rbel, a Berlin painter and graphic artist, won, and his poster included the Brandenburg Gate as the landmark of the host city, Berlin, with the figure of a wreathed victor with his arm raised in the Olympic salute. The five rings were also included in the background and the words, “Berlin 1936, Olympic Games, 1st–16th August,” were inscribed in capitals on the Brandenburg Gate. The poster was distributed and displayed around the world.

Franz Wu?rbel

Ask students to describe this poster. What information does it communicate? Include ideas that are conveyed through text as well as the visual components.

The poster contains several symbols, the Brandenburg Gate, the Olympic rings, and a laurel wreath. Research these symbols. How does knowing their meaning influence the class’s understanding of the poster?

On the Internet, research posters that have promoted the Olympic Games over the past century. How have the designs changed? How have they stayed the same? Do you think the Berlin 1936 poster could be used for a 21st-century Olympics? Explain.

The word “propaganda” is used to describe “the systematic manipulation of public opinion and political beliefs, generally by the use of symbols, such as flags, monuments, speeches and publications.” Do your students consider this poster propaganda, a marketing tool, and/or advertisement for an upcoming event? Explain.

The Nazis hoped to show German superiority to the world during the 1936 Olympics. Although German athletes won many medals, Owens, an American track and field athlete, achieved international fame by winning four gold medals. It can be argued that there has never been a more important sports story than his performance in Berlin. Research his life. What insights, conflicts, and ironies do your students discover?

Social Studies

The 2012 Summer Olympic Games in London will occur 100 years after the first official Olympic poster (for the 1912 Olympic Games in Stockholm) was created. The host country generally sponsors a contest to choose the official poster. Using either traditional art materials or digital tools, the class can design a poster for the upcoming games. What images, symbols, colors, and composition will best express the ideals of these events? Once completed, discuss your designs and motivations with the class.

Social Studies

Research the 1937 Degenerate Art exhibition, which showcased work that the Nazi government found objectionable. What threats to their ideals did the Nazis see in modern art? Explain.

Social Studies

One of the most blatant and successful uses of classicism in the service of Nazi propaganda was the film Olympia (1936–38). This controversial documentary, directed by Nazi sympathizer Leni Riefenstahl (1902–2003), was commissioned by the regime and focused on the 1936 games. Segments of the film are available on YouTube. View clips and then discuss the class’s response to the artistic, political, and social implications of the director’s approach.

Web site: The [KIKE] Solomon R. Guggenheim Foundation (SRGF)

LONDON 2012.07.27

LONDON 2012.07.27

Started watching the Olympics opening out of curiosity, and now I can't turn away from the horror.

"Jerusalem" was sung to illuminate tedious tableux of turgid tarted-up "British History", introducing suffragettes, trade unionists and masonic engineers (led by creepy boring thespian Kenneth Branaugh, perhaps channeling his majestic role from that stupid cowboy sci-fi pic with Will Smith) to represent Britain's defining era. In one scene, much was made of a pack of West Indian Negroes getting off the boat, which didn't make a lot of sense since previously the miners and levellers and Victorian toffs were well-"represented" by multiple dusky invaders. The climax of this segment came when England's dark Satanic mills vomited forth the Masonic Olympic rings, surrounded by a circle of glowing pyramids.

James Bond (the one who plays a Kike gangster and hoLOLoco$t-hero in some stupid movie) picked up Queen Liz, then there was a bunch of business with corgis, a chopper-flight over London with a statue of arch-traitor and Kikes' whore Winston Churchill waving up at them creepily, then her maj and 007 parachuted out. (They jumped out of the chopper in daylight, and magically it was evening by the time they hit the ground.)

A multikulti Armed Forces crew marched out with the flag. None of them were marching in step. At least one Negro and two chicks. A Benetton moment. Obviously they weren't chosen as the finest representatives of their regiments or whatever. One of the guys in front was marching left-right, the chick behind him was going right-left, the Negro behind her looked like he was having trouble walking, and the guy pulling up the rear was marching at more steps per minute than the rest. They marched, tortuously, up a hill, signifying British victories over The Hun, Jerry, Hitler and his evil crew. (The narrator said the hill represented England's green and pleasant land, but we know that everything in Britain's kike-culture revolves around the hoLOLoco$t.)

Then a multikulti choir of deaf kids sang God Save The Old Queen, with a few Pakis placed prominently up front, and a few kids in wheelchairs, of course.

Then Mike Oldfield was dug out of his grave so he could perform a duet with the NHS, while a creepy crowd of kids and nurses jitterbugged to Tubular Bells.

Then a performance of the maudlin Chariots of Kike Fire thene, with alleged comedian Rowan Atkinson reprising his dire Mr Bean schtick.

Then a bunch of poonk and new wave songs played while masses of queers and Negroes and twits ran around, giggling, to OMD singing about dropping a nuke on Hiroshima ("These games you play, they are going to end in more than tears someday. ... It's 8:15, and that's the time that it has always been. We got your message on the radio: conditions normal and you're coming home. ... This kiss you give, it is never, ever going to fade away."), and Paul "Red Wedge" Weller going on about how he's "going underground". Then a Stars-on-45 medley of Brit-Pop'n'Rock Hits (with the very notable exception of "My Boy Lollipop"*). "Let the children boogie", indeed. "Pretty Vacant"!? Yeah, God save the Queen! "Relax, don't do it, when you wanna cum!" "Back to reality"? Really, are sweet dreams made of these?

All of this poppery-wankery was the soundtrack to "The Life of a Typical British family" -- a White women with a Negro baby-daddy -- with their the son addicted to a video-game, and their daughter being romanced by another Jigaboo, with masses of vid and movie-clips illustrating Brit-romance -- all leading up to a live performance by the crapper Jizzy-Nig-Nog and His G-Krap Krew.

Then the most demonic performance ever of the Christian hymn "Abide With Me", sung by a Zambian Negress and illustrated in dance by a couple of Pakis and a multiracial pack of hellspawn.

The festivities continue...

Parade of Nations. -- As the Germans entered the stadium, the narrator reminded everyone that Germany was banned from the last London Olympics, and then he lied, saying they had been banned "because they were an aggressor nation in World War II. The Jew-State athletes came out, and the commentator expressed dismay and anger that a minute of silence had not been ordered on behalf of dead Kikes. The Americans marched around in their Chinese-made French-looking Kike Ralph Lipschitz ("Lauren") outfits. Finally host Great Britain came out of the closet in their Freddy-Mercury-George-Michael suits, for which they were awarded the gold medal for Queerest National Costume. As the Brits strolled around, the Queen of Canada looked bored, and was busy cleaning her fingernails.

For the closing of the opening, eight non-Whites ("humanitarian" champs, including ban Ki Fucking Moon) carried out the sacred Olympic rag. They paused so a decrepit Mohammad Ali's nurse could place his magic hand upon the magic pennant.

Then a bunch of boring speeches.

Then the sacred cauldren was lit, to a Pink Floyd soundtrack ("all that you touch, all that you see, all that you taste, all you feel, all that you love, all that you hate, all you distrust, all you save, all that you give, all that you deal, all that you buy, beg, borrow or steal, all you create, all you destroy, all that you do, all that you say, all that you eat, and everyone you meet, all that you slight, and everyone you fight, all that is now, all that is gone, all that's to come, and everything under the sun is in tune, but the sun is eclipsed by the moon. "with a women shrieking).

Then Kike Knight Paul McCartney warbled through "Hey Jude" because John Lennon was unavailable to sing "Imagine".

GTRman comments:


Well, I forced myself to watch the Oy-lympic opening. A hideous PC re-writing of British history, black victorian gents in top hats, mixed race families, and more brown kids, black kids and yellow kids than a Benneton ad, all pushed to the front and honed in on by the TV cameras. Subtle it was not.

Black ”innit” rappers like Rizzle Kicks and Dizzy Rascal, all watched over by QE2 with a face that looked like she was sucking curdled milk from a lemon that had been pickled in piss.

I was joking about whether the tedious McCartney would be wheeled out at some point to do "Hey Jude", sure enuff, they closed with it...


Queen Elizabeth, 1601:

“Whereas the Queen’s majesty, tendering the good and welfare of her own natural subjects greatly distressed in these hard times of dearth, is highly discontented to understand the great numbers of Niggers and Blackamoors which as she is informed are crept into this realm since the troubles between Her Highness and the King of Spain, who are fostered and relieved here to the great annoyance of her own liege people that want the relief which those people consume; as also for that the most of them are infidels, having no understanding of Christ or his Gospel, hath given especial commandment that the said kind of people should be with all speed avoided and discharged out of her majesty’s dominions.”


I just hope to see Chi-Coms forced to stand up for the non-national-flag and non-national-anthem the Olympic Committe permits the ROC/Taiwan Olympic Committee to use (as "Chinese Taipei"). That's only happened at Asian regional sports tournaments. I'd like to see it at the Olympics. I wonder if the PRC broadcaster would "mysteriously lose its satellite feed" if that happened.

Of course "The Olympics has nothing to do with politics!"

No doubt if Taiwan does well, the Chi-Com-bought-and-paid-for judges will invent some excuse to disqualify them. For example, Taiwan's Yang Shu-Chun was cheated of her victory at the 2010 Asian Game in Guangzhou, PRC, by a Chi-Com-corrupted judge and Tae-Kwon-Do Federation.

* "My Boy Lollipop"

"My Boy Lollipop" (originally written as "My Boy Lollypop") is a song written in the mid-1950s by Robert Spencer of the doo-wop group The Cadillacs, and usually credited to Spencer, Kike gangster and record company executive Morris Levy, and his gangster partner Johnny Roberts. The Kike Levy "agreed to purchase" the song (i.e. extorted the rights to the song) from Spencer.The Kike Levy and Johnny Roberts then listed themselves as the song's authors. In an effort to avoid sharing any royalties with Spencer, The Kike Levy removed Spencer from the original writing credits, later claiming that "Robert Spencer" was his own pseudonym. The ditty caught the attention of one of The Kike Levy's mobster partners and music mogul, Gaetano "Corky" Vastola, who got 14-year-old barbie Gaye to record it, and then it was promoted by Kike Alan "Payola" Freed. Jamaican Kike Chris Blackwell later got Jamaican teen Negress Millie Small to record it, and it became an international hit. This was the version played at The Olmpics to represent The United Kingdom.









Guess who won't get invited to any more parties.

Canada accepts female refugees who face discrimination in their homelands. Since according to Canadian femifists almost the entire planet except for Scandinavia is worse for women, that means that 99% of women in the world could seek refuge in Canada. But now these femifists reveal that 1/2 of the woman in Canada have been or will be physically or sexually abused (by which they mean "raped"). Obviously, then, foreign women should never be allowed in Canada, for their own safety. It's a jungle!

Some comments from Canadian websites and blogs:
  • did anyone else expect a rapist to jump through the window and attack?
  • No, they had a whistle so it didn't happen.
  • Why can't there be an anti-gold digger whistle for men.
  • 1 in 2.... da fuq?
  • 1 in 2... notsure if srs
  • as usual, they probably counted anyone who shouted "hey beautiful!" from a moving car as a sexual offender, in their "statistics"
  • If a girl gives her full consent for sex, but regrets it a week later it counts as rape according to many feminist nut groups...
  • in that case I've been raped numerous times
  • 3 in 4?
  • 11 out of 10
  • Would like to see some actual empirical data to support the claim that "1 in 2 women are sexually or physically abused in Canada"
  • they probably asked 2 women and got a lucky hit.
  • lol. a female can come back and claim rape and any point in time. imagine some kunt coming back 5 years later to claim you raped her but she's been too afraid and in shock to deal with it since then. gotta love feminists.
  • Soon, asking them to make me a sammich will be consider rape!
  • Woman Logic: Instead of defending myself with a gun I'll blow my whistle and hope men come and save me.
  • and I thought american tv commercials were bad. this takes the cake times 100.
  • I wish they would stop putting this **** on the TV. Anyone else hate it when you go to rape someone and they have them stupid whistles... Takes like an extra 5 seconds to bitch slap a hoe and take the whistle from her.
  • What makes a rape whistle any different from a regular whistle anyway. That commercial is like something out of a comedy movie.
  • I can't stop laughing at the little girl who keeps smiling and starts playing with it, while all the urban females are like "WOW, just WOW!".
  • You can't leave comments/rate the video on youtube anymore...
  • Lol @ melting statistics together for sensationalism. "1 in 2 women are physically or sexually abused." It was a "rape whistle" not a "physical or sexual abuse whistle". The real statistic is 5.8% of canadian women are raped. This is why I can't take feminists serious.
  • 5.8%? This has to be fake. 1 in 20 women has been raped, no fukin way.
  • who would rape those ugly bishes?
  • What a cheap ass old kunt buying a whistle for a baby shower. What, the celebration of your granddaughters birth doesn't justify spending more than 79 cents on some crummy gift?
  • 1 in 2...OMG Can't stop laughing... Canadian womens never heard of 1/2 or 1 OUT of 2? Whahahhaha
  • we need a masculine revolution... women need to be put back in to a more natural state of living...
  • Rape swords are far more effective.
  • Wheres the male, anti abuse, anti poverty, confidence foundation?
  • From the website of the people who made video,according to their logic 100% of women are victims of "emotional/verbal" abuse: "The United Nations defines violence against women as: Any act of gender-based violence that results in, or is likely to result in, physical, sexual or psychological harm or suffering to women, including threats of such acts, coercion or arbitrary deprivation of liberty, whether occurring in public or in private life. This violence can include: Physical abuse: Slapping, choking, or punching her. Using hands or objects as weapons. Threatening her with a knife or gun. Committing murder. Sexual abuse: Using threats, intimidation, or physical force to force her into unwanted sexual acts. Emotional or verbal abuse: Making degrading comments about her body or behaviour. Forcing her to commit degrading acts. Confining her to the house. Destroying her possessions. Threatening to kill her or the children. Threatening to commit suicide.
  • wtf...... 50% of the women i know are looking to get laid.... Shut the **** up with your rape whistle...even the chick in the commercial looks dumbfounded..... spend your time and effort on more important things!!!!!!
  • Again, a lot of feminist groups consider ''regretting'' having sex to be rape. So if a girl, fully sober/clean mind, has sex with you and regretts it the next week, it counts as rape.
  • Women only get away with this kind of stupidity and false statistics in beta countries.
  • wasn't funny to me until it just ended awkwardly and abruptly. then i lost it lmao
  • Keeping the paranoia alive keeps feminism alive.
  • The little girl in the video was perfectly fine until she gets a whistle. Then every man she comes across is a potential rapist. What a sad message.
  • 1 in 2. 1 in 2.
  • Those dumb kunts probably count a guy asking them if they want a drink at the bar as rape.
  • So one out of two Canadian females will be the victim of a sexual assult huh? Bullshit. This ridiculous commercial is nothing more than feminist propoganda aimed at humiliating and degrading men. I am a woman and I have never been sexually assulted, I have hundreds of female friends, relatives and coworkers, all of whom tell me they have never been abused by a man in any way. I think the time has come for men to organize and demand their most basic human right – to be treated as human beings, not vicious animals. Ads like this make me fear for the future of my sons. I don’t know why i am even bothering to write this, it will just be deleted anyway because it will offend feminist sensibilities.
  • This commercial is extremely offensive!!! Once upon a time people were a lot more excited to have boys then girls. If a couple announced they were having a boy, people would jump up and down and shout with glee. If they announced they were having a girl, people would have a more reserved response. Some people still struggle with the joy of having girls, but I believe in this day and age more people are happier about it then ever before….until your commercial!!! This commercial sends a different message then it intends: girls are something to be ashamed of. There are people who will abort a pregnancy, or give babies up for adoption because they are having girls. Boys will only be accepted!! Is this the right message to send out in a “progressive” society? All girls should be cherished and celebrated. They are a blessing. There is a more appropriate manner to convey your message isn’t there??
  • I think this commercial is disgusting and should be removed from television. I don’t think a baby shower is where this point should be made. If it does need to be made at all,I think more sensitivity should be used. I as a male felt very offenened by this commercial as I treat all women with with respect and I think in general we all need to treat each other with diginity and respect. This commercial indicates that almost every other male is a rapist which I can’t agree with. So I would encourage this group to get accurate information and reconsider how a commercial can impact the public and males are part of the public.
  • Well done! Sometimes you have to smack people in the forehead to get a point across.
  • I was sitting in my doctor’s office when I saw this ad and as a victim of being raped at age seven, I was APPALLED by this advertisement. You have no right bringing the fear, shame, and courage it takes to survive being raped into a world such as baby showers!
  • I saw this PSA and threw things at the TV. I mean seriously, 1 in 2 now? Why not just make it 100%, they are pretty much saying that anyway. Sighhhhh.

From Marketing Magazine (Canadian):


The Canadian Women’s Foundation has introduced a hard-hitting national campaign as part of what a senior staff member calls a “strategic priority” to raise its profile among Canadians.

Created by DDB Canada’s Toronto office, the pro bono “It’s A Girl” campaign is using TV, online, print and out-of-home to raise awareness of the issues facing Canadian girls and women.

DDB Canada was one of several agencies Canadian Women’s Foundation approached last summer. Sandra Diaz, Toronto-based vice-president of marketing and communications for the organization, said the agency was chosen for its belief in and understanding of its work.

DDB also created a new logo for the organization, which was unveiled along with a new website last fall.

While the Canadian Women’s Foundation has previously conducted local marketing around fundraising initiatives like Shelter From the Storm, “It’s A Girl” marks the first national campaign in its 21-year history.

“We’re one of the 10 biggest women’s foundations in the world, but tons of Canadians don’t even know we exist,” said Diaz.

“It’s an issues campaign to stir the pot and build education about the issue.”

A 30-second TV spot airing on Citytv stations across the country opens on a group of women gathered at a baby shower. The celebratory mood is darkened, however, when the new mother pulls out a whistle and is informed by the gift-giver that it is a rape whistle.

A super reading “1 out of 2 girls growing up in Canada will be physically or sexually abused” appears on screen.

The creative goal, said Diaz, is to dispel the idea that everything is fine for women in an era of equality. The objective was to be “provocative and bold” to ensure the message resonated with the target audience, she said.

Rogers Media donated significant media space across its portfolio of female-focused media brands, including Chatelaine, LouLou, Today’s Parent and digital channels. Out-of-home companies including Pattison, NewAd, Clear Channel, Lamar and StreetScene Media also donated media space.

One notable execution in Chatelaine takes the shape of a greeting card bearing the message “A Baby Girl!” on the cover. When the card is opened, it reveals the same sobering statistic. Print ads feature a series of helium balloons that combine to read “It’s a girl. She’s got a 50% chance of being physically or sexually abused.”

The Canadian Women’s Foundation’s mandate is built around three key pillars: violence; poverty and empowering young girls through education. The organization has funded more than 1,100 community programs aimed at helping women and girls.



Voula Papachristou:


Greece, in the midst of economic ruin (partly thanks to the presence of millions of immigrants and "refugees" and illegal aliens), has banned one of its athletes from competing at the Masonic queerfest known as The Olympics, because she supposedly texted a "racist" joke about Africans, and because she expressed support for a Greek political party.

When I read that Paraskevi "Voula" Papachristou, a triple jumper (and therefore obviously in a position to influence the thoughts of billions of children!), had made an incredibly offensive and "racist" joke, I thought it would be something like, "What are Pakis? Proof that Niggers fuck shit." But no, Miss Papachristou has been banned from the Greek Olympic team for tweeting the following:

Με τόσους Αφρικανούς στην Ελλάδα, τουλάχιστον τα κουνούπια του Δυτικού Νείλου θα τρώνε σπιτικό φαγητό!!

["With so many Africans in Greece, at least the West Nile mosquitos will be eating food from their own home."]

Papachristou's premeditated Crime-Against-Humanity was committed on the 23rd day of July, in the year of our Lord, 2012.

I don't see any race mentioned in her joke, nor any negative comments about any people. Nevertheless, the Hellenic Olympic Committee said Wednesday that Papachristou had been excluded from the team "for statements contrary to the values and ideas of the Olympic movement." Communocapitalist PRC and UK, on the other hand, do a great job of upholding "the values and ideas of the Olympic movement."

Isidoros Kouvelos, the head of Greece's Olympic mission, told the country's Skai TV channel, "We are not here just to get medals, but to promote the Olympic ideals, to show our character." They certainly have shown their character!

What are the chances that an African Olympic team would give one of its athletes the boot for texting something "racist"?

Democratic Left, a political party that is part of the coalition government, issued a statement as part of the campaign that led to Papachristou's expulsion:

"Racist humour and 'jokes' concerning human lives are not tolerated by the Greek society and cannot thrive in Greek athletics. The least the Greek Olympic Committee can do now is to revoke Voula Papachristou from the Olympic Games. Watching the Olympics on TV screen, she could do as many vile 'jokes' she wants through the social media. But for sure, she cannot represent Greece in London."

She can always just go to Mount Olympus and watch the games on an official Kikomasonic TV franchise, while munching down on some official Olympics Big Macs.

Voula Papachristou:

Ζητώ δημόσια συγγνώμη για το πραγματικά ατυχές και κακόγουστο αστείο που δημοσίευσα από τον προσωπικό μου λογαριασμό στο Twitter. Λυπάμαι και ντρέπομαι για τις αρνητικές αντιδράσεις που προκάλεσα, γιατί σε καμία περίπτωση δεν είχα σκοπό να θίξω κανέναν, ούτε να προσβάλλω τα ανθρώπινα δικαιώματα.

Το όνειρό μου είναι συνδεδεμένο με τους Ολυμπιακούς Αγώνες και δε θα συμμετείχα σε αυτούς αν δεν σεβόμουν απόλυτα τις αξίες τους. Οπότε, δεν θα μπορούσα να πιστεύω σε διακρίσεις μεταξύ ανθρώπων και φυλών.

Ζητώ συγγνώμη από όλους τους φίλους και συναθλητές που μπορεί να προσέβαλα ή να ντρόπιασα, την Εθνική Ομάδα Στίβου, καθώς και τους ανθρώπους και τις εταιρείες που στηρίζουν την αθλητική μου καριέρα και πορεία. Ακόμα, θα ήθελα να ζητήσω συγγνώμη από τον προπονητή μου και την οικογένεια μου.

I would like to express my heartfelt apologies for the unfortunate and tasteless joke I published on my personal Twitter account. I am very sorry and ashamed for the negative responses I triggered, since I never wanted to offend anyone, or to encroach human rights.

My dream is connected to the Olympic Games and I could not possibly participate if I did not respect their values. Therefore, I could never believe in discrimination between human beings and races.

I would like to apologize to all my friends and fellow athletes, who I may have insulted or shamed, the National Team, as well as the people and companies who support my athletic career. Finally, I would like to apologize to my coach and my family.

Voula Papachristou: Bowing Out


Παρασκευή "Βούλα" Παπαχρήστου


Маја Николић: "Не волим Јевреје"






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