Kikodile Lacoste Logo

Oxford Shorter Dictionary, 2008:

"Prestigious (adj.): In lands under Kikery, (1) Anything pertaining to the most dishonest and most sucksessful Kike über-machers; (2) Lacking in moral courage; toadying; characteristic of high-class whores, eunuchs, those on The Kike's jusurious tit."

[Kike] Mondoweiss:

"Suspension of the Lacoste Elysée Prize 2011: Here is a shocking story that tells us how the world is changing before our eyes. A Swiss museum staging a prestigious international art competition selects a Palestinian artist as one of eight finalists. The sponsor of the prize-- the Lacoste clothing company-- then demands that she be excluded."

Note that the story appears on the Kike Weiss' site, because only Kikes can report on Kike perfidy and still be part of the relatively, somewhat respectable quadrant Internet.

And that that Kike got it off of the Kike Washington Post, which put its own kike spin on things, blaming this decision on some sort of bizarre geopoltical policy of some "maker of crocodile-emblemed polo shirts"; without pointing out that Kike Lacoste, like most of the rag-trade, is owned and run by Kikes, as is the Kike parent company, PVH, and as are the distributors of Lacoste -- Kike Saks Fifth Avenue, Kike Neiman Marcus, Kike Bloomingdale's, Kike Macy's, Kike Belk (first opened as "The New York Racket"), Kike Harry Rosen, Kike David Jones, Kike Myer, et kikera.

A non-Kike reporting on such Kikery would automatically be a Nazi who wants to bake 6,000,000 "more" Kikes in Eva Braun's oven.

So, in fact, this is not "a shocking story" at all -- only an idiot could be shocked by this.

And "the world is [not] changing before our eyes" -- it's just more of the same old Kike chutzpah; more desperate all the time.

As for the Palestinian "artist", she's a whore for Kikes too, since she would have been quite chuffed to have been able to swag the Prize, which is funded by shekels from the "French" Kike Lacoste company, which employs virtual slave-labour in Red China (run according to the kike values of The Kike Marx), and pollute the Yangtze and Pearl River deltas with industrial waste practices that would be illegal in France.


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Guan Zeju 美女と卍

Guan Zeju 美女と白

Guan Zeju 美女と赤

Guan Zeju 美女と樹

Paintings by Guan Zeju



Kike Agit-Prop

"Epic Beard Man" was the PSTD afflicted white senior citizen who skyrocketed into fame doing on video what millions of White people have fantasized about doing when they, or other innocent bystanders, are similarly harassed by thugs.

That video resonated with millions of viewers because many of them had either experienced aggressive belligerence from young blacks or witnessed others having to put up with it.

Hollyjewed has now adapted that viral You Tube video into a Kike movie, starring the actor who showed us how hacking gringos up can be cool in Macheté.

In this week's most chutzpah heavy instance of the media turning reality on its head to correspond to the Kike diversity agenda, they have the White victim portrayed by a Mestizo being taunted by racist skinheads on a bus.

In other words, a situation never seen because it never happens.

Anti-Racism is code for Anti-White.

The Bad-Ass Trailer:

The Epic Beard Man Original:


But it's "Based On A True Story"!

Speaking of Kike-Style True Stories, how about a Channon ******ianson & ******opher Newsome movie -- you know, about that Black Man + Kikess couple who were tortured, raped and murdered by White Supremacists....

They'd have to change their names, of course, to get rid of any references to J**** C****t that would offend Kikes.

If Hollyjewed doesn't go for it, it could bean episode on the Kikes' CSI, NCIS or Talmud & Order.

Denzel Washington and Kike Scarlett Johanson could play the poor victims.

Kevin Bacon, Edward Norton, Kike Shai LeBoeuf and hard-to-believe-he's-not-a-Kike Adrien Brody could play the "White Supremacists".

OY, This Is Based On A TRUE STORY too:

"Race Traitor" by Elisa Hategan

"Described by publishers as raw, explosive and frightening, Race Traitor is inspired by the incredible true story of a Jewish teenage girl who becomes recruited by a neo-Nazi terrorist group. To sixteen-year old runaway Lara Aslan, the new friends she finds in the secretive Patriot Front are the family she’s never had. They feed her when she’s hungry, watch her back and provide her with shelter at the home of infamous Holocaust denier Heinz Zimmer, whose web of hate connects neo-Nazis worldwide. Under the guidance of the mysterious Markus Bellow, covert leader of the Patriot Front, Lara swiftly undergoes a radical transformation that integrates weapon-training, combat skills and information-gathering tactics to produce the perfect terrorist. Thinking it’s all a game, Lara doesn’t know that the Patriot Front will stop at nothing to achieve their clandestine aim. The Patriot Front, in turn, is not aware of Lara’s own dark, long-buried secrets, which come to light on the heels of a brutal attack.

"A gripping, fast-paced storyline inspired by actual events, Race Traitor blends the thrilling joyride of The Girl with the Dragon Tattoo with the revolutionary manifesto of V for Vendetta. An unforgettable journey into the darkness of the human heart, this is a tale that is sure to stay with you long after the book has ended."


Rosenbaumer & Finkelschitz

Rosenbaumer & Finkelschitz
Everyone's Favourite X-Mas Party Guests

White Christmas Subversion

By James G. Bruen, Jr.

Last year the [KIKES'] Washington Post’s lead editorial on Christmas Day, an editorial entitled simply “Christmas” in print, but “Christmas not what it used to be, but becoming better” on-line, opined that [KIKE] Irving Berlin’s song “White Christmas” is “the most essential contribution of all to the creation of the 20th-century American Christmas,” which is “a [KIKE] Christmas that was secular, sentimental, commercial and, to a large extent, more inclusive than the religious celebration that preceded and now accompanies it.”

Sadly, there’s much truth in the [KIKES'] Post’s statement. The American [KIKE] Christmas celebration is largely a secular, sentimental, and commercial orgy that has overwhelmed or displaced the Church’s celebration of Christmas. But there is also falsification. The American [KIKE] Christmas is not more inclusive; it has a narrow vision; recognizing only the natural, it tolerates the supernatural only as a sentimental affectation or commercial prop.

In contrast, the Catholic Church is universal, catholic, and inclusive: no one who professes what the Church professes is excluded; all are welcome. America builds border walls to exclude Mexicans, but the Church welcomes all believers regardless of race, color, sex, age, physical infirmity, or national origin. Christ came not for one nation or tribe, but for all men. The Church celebrates Christmas as the birth of Him who redeemed all mankind, not just Americans, not just Jews. What could be more inclusive?

How did White [KIKE] Christmas transform Christmas? Why is it “the most essential contribution of all to the creation of the 20th-century American [KIKE] Christmas?”

“Like a number of other popular songs that came along during the [KIKES'] war, [White Christmas] captured the sadness of separation, the longing for peace and normality and the nostalgia for a better time that really wasn't that long ago. These shared emotions gave Christmas a new poignancy and significance during the [KIKES'] war years, and made it something different from what it had been,” continued the [KIKES'] Post. “[KIKE] Radio, with its nationwide audience – just about everyone listened to the same [KIKE] shows – not only amused and entertained, it comforted and reassured. In the dark [KIKE] war years, it created a new [KIKE] Christmas spirit. … [KIKE] Christmas has continued to move toward becoming a truly national holiday, a time of good feeling and universally shared hopes, and an occasion in which all can share.”

Is that really all there is to it? Christmas changed because of the [KIKE'] Second World War, and now it has becoming a wishy-washy national [KIKE] holiday of good feelings and shared hopes?

Writing in the [KIKES'] New York Times last December, [KIKE] musician Michael Feinstein captioned his piece: “Whose Christmas Is It?” [KIKE] Feinstein also embraces the fatuous idea championed in the [KIKE] Post editorial that [KIKE] Christmas is becoming better because it is becoming secular and inclusive. But he probes a little deeper into the genesis of the popular songs that abet the [KIKE] transformation of Christmas into a national [KIKE] holiday instead of a Catholic holyday.


The [KIK]evolution of Christmas is reflected to a degree in its [KIKE] music. As the holiday has become more secular [KIKE], so have its [KIKE] songs, with religious and spiritual compositions largely supplanted by the [KIKE] banalities of [KIKE] Rudolph, sleigh bells and Santa. Many Christians feel that the true essence of Christmas has been lost, and I [DON'T] respect that opinion. It must be difficult to see religious tradition [KIK]eroded in the name of [JEWSURIOUS] commerce and further dissipated by others’ [KIKE] embrace of a holiday without a sense of what it truly means to the faithful.

Yet I also hope that those who feel this [KIKE] encroachment will on some level understand that the spirit of the holiday is [J]universal. We live in a multicultural [KIKE] time and the [KIKE] mixing, and [KIKE] mixing up, of traditions is an inevitable [KIKE] result. Hence we have the almost century-old custom of [FILTHY, DEVIOUS, SICK, EVIL, DISGUSTING, TWISTED, OBSCENE, HATEFUL, WRETHED, SUBVERSIVE, NECROTIC, BALEFUL, MISERABLE, EMETIC, MENDACIOUS, VILE, PERVERSE, CRAPULOUS, DEBAUCHED, AND MENTALLY AND PSYCHICALLY DISEASED] American Jews creating a lot more [KIKE] Christmas music than Hanukkah music.

If you look at a list of the most popular Christmas songs, you’ll find that the writers are disproportionately Jewish: Irving Berlin’s “White Christmas,” “The Christmas Song” (yes, Mel Tormé was a Kike), “Let It Snow! Let It Snow! Let It Snow!,” “I’ll Be Home for Christmas,” “Silver Bells,” “Santa Baby,” “Rudolph the Red-Nosed Reindeer” and “Winter Wonderland,” “White Christmas” and “Silver Bells”.


[KIKE] Feinstein suggests that Jews wrote popular [KIKE] Christmas songs simply because that’s what sold: “[KIKE] Tin Pan Alley [KIKE] songwriters … churned out [KIKE] songs to order on every conceivable subject for their [KIKE] publishers.” Is that all there is to it? The [KIKE] change in Christmas resulted from a commercial [KIKE] transaction?

In Operation Shylock: A Confession, which won a 1994 PEN/Faulkner Award, [KIKE] writer Philip Roth provided still deeper insight:


"The radio was playing ‘Easter Parade’ and I thought, But this is Jewish genius on a par with the Ten Commandments. God gave Moses the Ten Commandments and then He gave to Irving Berlin ‘Easter Parade’ and ‘White Christmas.’ The two holidays that celebrate the divinity of Christ – the divinity that’s the very heart of the Jewish rejection of Christianity – and what does Irving Berlin brilliantly do? He de-Christs them both! Easter he turns into a fashion show and Christmas into a holiday about snow. Gone is the gore and the murder of Christ – down with the crucifix and up with the bonnet! HE TURNS THEIR RELIGION INTO SCHLOCK. But nicely! Nicely! So nicely the goyim don’t even know what hit ‘em. They love it. Everybody loves it. The Jews especially. Jews loathe Jesus. People always tell me Jesus is Jewish. I never believe them. It’s like when people used to tell me Cary Grant was Jewish. Bullshit. Jews don’t want to hear about Jesus. And can you blame them? So – Bing Crosby replaces Jesus as the beloved Son of God, and the Jews, the Jews, go around whistling about Easter! And is that so disgraceful a means of defusing the enmity of centuries? Is anyone really dishonored by this? If schlockified Christianity is Christianity cleansed of Jew hatred, then three cheers for schlock. If supplanting Jesus Christ with snow can enable my people to cozy up to Christmas, then let it snow, let it snow, let it snow!"


The Church has often baptized pagan holidays, transfusing them with Christian meaning and transforming them into Catholic holydays. Today’s [KIKE] crusade to drain holydays of Christian meaning and transform them into feel-good commercial [KIKE] events renounces that baptism. And that [KIKE] crusade marches to the music of Jewish genius [sic], which has made the most essential [KIKE] contribution of all to the creation of America’s schlockified [KIKE] Christianity.




[Play in high quality]


This video was removed from KikeTube [JewTube/YouTube, owned and run by kikes] as "HATE SPEECH" -- so posting a video of a filthy Pharisee/Rabbi-kike citing references from the Talmud and the Zohar is "hate speech".

Just like quoting Muz quoting from the Koran is "hate speech" in the Kike World Order.


Kike-Work Hiroshima Victim

Kike-Work Hiroshima Victim



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